Echoes of a Legend: Luciano Pavarotti, the Unimitable Maestro of Do di Petto. Physiological and Phonetic Perspectives

Luciano Pavarotti, a celebrated tenor of the 20th century, is renowned for his powerful vocal abilities, particularly in executing high notes in the chest register, exemplified by his historic performance of nine “chest C” notes in the aria “Ah, mes amis, quel jour de fête!” from “La figlia del reggimento”. This study aims to examine the physiological and phonetic aspects of Pavarotti’s vocal technique. A comprehensive literature review was conducted utilizing Scopus and Google Scholar, focusing on publications regarding Pavarotti’s vocal methods, with careful screening for original research and sound anatomical insights. Findings highlight that Pavarotti’s impressive vocal capabilities stemmed from a combination of anatomical structure, extensive training, and effective use of resonance, which permitted the execution of high notes with clarity and richness. The interplay between Pavarotti’s technical mastery, interpretive approach, and advancements in recording technology, alongside how lifelong training mitigated vocal aging. As a consequence, Pavarotti’s achievements are not solely attributable to anatomical predisposition but also to disciplined artistry, establishing an enduring standard in operatic performance that highlights the complexities of the vocal art form.